From Recording the City to Mixing Venues
Before he made a living from live sound, Bruno started recording at night with a small recorder and a mic: the screech of a tram, the murmur of the harbor, the city when nobody's left. That's where the ear that pays his bills today came from. He's freelance, chooses who he works with, and drinks three coffees a day, always black, always in a small cup: the first when he wakes up, around eleven, before his day gets going.







