§ 01 Product. Ayana · Tote bag · 35,00 USD
AK · 02 · Ayana 01 / 04 Ayana · ayana_ak-tote-001
AK · Nº 2 / 19 Ayana · Niamey, Níger

Ayana.

Tote bag

This tote bag of Ayana, the West African giraffe, is a handled bag with the portrait printed on the surface. What arrives is just that: a bag for carrying what you need — groceries, books, laptop, a change of clothes, whatever — with Ayana's image facing front, crimson red coat, knitted scarf, and red drop earrings. Made to order, no stock.

Printing
All-over, vibrant and washableAOP DTG · sublimation
Production
Cut and sewn in 3–7 daysOn demand · no stock
Shipping
Worldwide with trackingUSA / Latvia
Warranty
Defective? We reprint itAt no extra cost
35,00 USD Tax included · white-label
01
§ 02 The real species. Giraffa camelopardalis peralta · West African giraffe
West African giraffe en su hábitat · Giraffa camelopardalis peralta
The real species

West African giraffe.

Giraffa camelopardalis peralta

Memory doesn't live in archives. It lives in the voice of whoever tells it again.

Open savanna and wooded savanna of the Sahel and East Africa: from Niger and Chad to Ethiopia, Uganda and South Sudan. The West African subspecies lives exclusively in the Kouré area (Niger), in savanna with acacias, combretum and balanites, at altitudes of 0 to 2,000 m.

§ 03 The story behind the portrait. 3 min · 02 chapters
I
CAP · 01 / 02

What you carry

Ayana leaves Niamey for Kouré several times a month. Sixty kilometers by moto-taxi, the last stretches on unpaved roads. She carries a backpack with just enough: the Zoom H5 recorder, field notebooks, spare pens, extra batteries, memory cards. Nothing more than necessary. Every gram counts when you're on a two-stroke motorbike along red dirt roads and the trip takes an hour and a half if there are no detours or road closures.

The equipment is simple. The recorder is reliable and portable. The notebooks are for context: who's speaking, where, at what time, what was said before switching the recorder on and what was said after switching it off. Spare pens because the Sahel heat dries them faster than normal. No tripods, no video cameras, no heavy gear. What Ayana records are voices, and voices weigh almost nothing.

What weighs is time. Twelve years of project. One hundred and eighty hours of accumulated testimonies. Sixty-seven people who sat down to tell what they remembered about the giraffes of Kouré, the drought, the agreements with conservationists, the first calves born under community protection. Each recording has a metadata system that cross-references source, date, location, topic, and relationship with other testimonies. Ayana designed that system herself, after returning from a master's degree in Alexandria where she learned UNESCO standards for archive management.

II
CAP · 02 / 02

One hundred and eighty hours

Sometimes she comes back with an hour of recording after a full day of travel and waiting. Sometimes she comes back with nothing. The three rounds of green tea that have to be drunk on arriving at each community are not a formality: they're the time trust needs to come alive. The first round is bitter, the second softer, the third sweet. Ayana learned that skipping the protocol kills the conversation before it starts.

Sixty-seven sources over twelve years. That means sixty-seven people who decided to trust that what they were saying would be kept with care. Herders, schoolteachers, midwives, traders, guides. The recording that changed the project was Bibata's — a midwife from one of the communities — who told the story of the giraffes' recovery from the perspective of the women. That recording has a weight that isn't measured in megabytes but in silences: those of the Ouagadougou audience when they heard it for the first time.

Each recorded hour requires between three and five hours of transcription. Ayana transcribes at night, with headphones, in the archive room of her apartment in the Plateau neighborhood. Metal shelves, external hard drive, notebooks sorted by date. At two in the morning, pencil in hand, she falls asleep for fifteen minutes. She wakes up, jots down the last words, and carries on.

§ 04 Technical specs. Category · pod
Material & composition
Tejido tipo lona · asas al hombro · sin cremallera
Production
Print provider: PrintfulProduction method: all-over printProduction time: 2–7 bu
Care & maintenance
Lavar a máquina del revés en agua fría. No usar lejía. Tender al aire.
Shipping & timing
Shipping category: tote
§ 06 More of Ayana. 08 objects · same author
§ 07 What people ask. 08 · about POD
  • Each product is made to order when you place your purchase. There is no pre-made stock or overproduction. A specialised production partner prints, cuts, and prepares it specifically for you.
  • Production normally takes 2-5 business days. Shipping adds 3 to 20 days depending on destination. Most orders arrive within 1-3 weeks total. Exact times depend on the production facility and your location.
  • Contact us at mail@yagopartal.com with your order number and clear photos of the damage (include packaging). We will review your case and offer a solution as soon as possible, either replacement or refund.
  • Animal Kinhood is a series of anthropomorphic animal portraits created by Yago Partal. Each portrait features a real species dressed in clothing that reflects its personality, blending photography, illustration, and artificial intelligence.
  • Yes. We accept custom commissions of all kinds: pet portraits, corporate projects, and artistic collaborations. Visit the Custom Projects section in the footer for details and contact.
  • Yes. At checkout you can enter a different shipping address from billing. The package arrives white-label with no visible price, so the recipient will not see the cost.
  • If you notice a print defect (misaligned colours, stains, missing ink areas), contact us with photos at mail@yagopartal.com. Production defects are resolved with a replacement at no extra cost.
  • Open editions (main shop) are on-demand products with no copy limit. Limited editions (the Editions section of the shop) have controlled numbering and premium finishes with gallery-grade materials.