§ 01 Product. Nayna · Matte poster (unframed) · 31,00 GBP
AK · 13 · Nayna 01 / 04 Nayna · nayna_ak-paper-001
AK · Nº 13 / 19 Nayna · Nairobi, Kenia

Nayna.

Matte poster (unframed)

This matte poster of Nayna, the cheetah motorcycle mechanic from Nairobi, is an unframed print with a matte, glare-free finish. What arrives is a quality paper print, rolled, ready for you to frame or hang directly with clips, tape, or whatever system you prefer.

But before the paper and the finish, there's an image. And in that image, there's a workshop.

Printing
All-over, vibrant and washableAOP DTG · sublimation
Production
Cut and sewn in 3–7 daysOn demand · no stock
Shipping
Worldwide with trackingUSA / Latvia
Warranty
Defective? We reprint itAt no extra cost
31,00 GBP Tax included · white-label
Size · pick yours Size guide →
01
§ 02 The real species. Acinonyx jubatus · Cheetah
Cheetah en su hábitat · Acinonyx jubatus
The real species

Cheetah.

Acinonyx jubatus

The engine tells the truth before the owner does. I listen to the machine first, then to the excuses.

Open savannas, grasslands and semi-arid scrub of eastern and southern sub-Saharan Africa (Kenya, Tanzania, Namibia, Botswana); also the central plateau of Iran, where the last Asiatic population survives with fewer than 50 individuals.

§ 03 The story behind the portrait. 3 min · 02 chapters
I
CAP · 01 / 02

Lunga Lunga Road

The workshop is in South B, Nairobi's industrial zone, behind a blue gate with the letters NAYNA MOTORS painted by hand. Inside: a long workbench, tools hung on wooden panels, a compressor, a ficus in one corner, and a cat sleeping on the rags. Three doors down, mama Amina's chai stall. Fifty meters away, Njoroge's truck workshop, where he sometimes brings over ugali wrapped in newspaper.

What you don't see in the portrait is the workbench. But it's there, behind everything. Because Nayna didn't dress up for the photo: the black biker jacket is the one she wears every day since she bought it at Gikomba with the money from her second rebuilt motorcycle. The red polka-dot bandana belonged to her grandmother Wanjiku, who sold chai in Syokimau until she died on a Tuesday in August. And the crown of red flowers is something she does every morning: she goes down to Wakulima market before six, buys whatever's there — red if she can, 150 shillings, sometimes 200 — and carries them in her left hand pressed against the handlebar of her Honda CB125 while she weaves between empty matatus on Haile Selassie Avenue. The first thing she does when she gets to the workshop is put them in an empty oil can on the workbench. The second thing: chai.

The oil can with flowers. The oil ran out long ago. The flowers are replaced every two or three days. And in between, the petals fall onto the bench and land among the wrenches and bolts: red on metal. Nayna doesn't see it as decoration. She sees it as her workshop.

II
CAP · 02 / 02

What stays on the wall

A matte print doesn't compete with the window light. There's no glass to reflect, no frame to impose. If you hang it in a hallway, you catch it out of the corner of your eye every time you walk past. If you put it in a studio or an office, it sits there — direct, without distracting but without disappearing. The matte finish absorbs light instead of bouncing it back, which makes the colors look denser — the black of the jacket, the red of the bandana, the flowers.

To decide on the size, think about the wall. Under **Print sizes** you'll find the exact available measurements. If you're not sure, measure the space first: a 5-centimeter mistake is more noticeable than you'd think. The paper and finish type are detailed in **Paper and finish**.

Made to order. Each poster is printed when you order it — no pre-existing stock. That means lead times are a bit longer than a warehouse purchase — the specifics are in **Shipping and returns** — but also that not a single print is made that nobody asked for.

§ 04 Technical specs. Category · pod
Material & composition
Papel mate calidad museoMaterial weight: 189 g/m²
Production
Print provider: PrintfulProduction method: digital_printProduction time: 2–5 bus
Care & maintenance
Mantener en lugar seco. Evitar luz solar directa prolongada. Manipular por los b
Shipping & timing
Shipping category: paper
§ 06 More of Nayna. 08 objects · same author
§ 07 What people ask. 08 · about POD
  • Each product is made to order when you place your purchase. There is no pre-made stock or overproduction. A specialised production partner prints, cuts, and prepares it specifically for you.
  • Production normally takes 2-5 business days. Shipping adds 3 to 20 days depending on destination. Most orders arrive within 1-3 weeks total. Exact times depend on the production facility and your location.
  • Contact us at mail@yagopartal.com with your order number and clear photos of the damage (include packaging). We will review your case and offer a solution as soon as possible, either replacement or refund.
  • Yes. You will receive an email with a tracking number when your order ships from production. If your order ships in multiple packages, you will get a separate tracking number for each one.
  • If you notice a print defect (misaligned colours, stains, missing ink areas), contact us with photos at mail@yagopartal.com. Production defects are resolved with a replacement at no extra cost.
  • The posters use 189 g/m2 matte paper sourced from Japan, 0.26 mm thick. They are printed with water-based multicolour inkjet, ensuring accurate colours and a smooth, glare-free finish.
  • As items are made to order and customised to your order, the 14-day right of withdrawal does not apply once production has begun (Article 103(c) TRLGDCU, implementing Directive 2011/83/EU). This does not affect your consumer rights: your statutory guarantee of conformity remains fully in force, and any product arriving damaged or with a production defect is replaced or refunded at no cost. Contact us at mail@yagopartal.com.
  • AI is a tool within the creative process, not the process itself. Yago directs each portrait: researching the species, designing the character, and manually selecting and editing the result. The artistic decision is always human.