Lime-green over natural green
The jacket is the first thing you see. Lime-green — chartreuse, if you want to be precise — over the natural green of the mantis's body. It's synthetic, athletic, zipper open a third of the way. Bruno wears it to gigs, to the Noailles market, to sit in the Tunisian bar below his building and drink mint tea without having ordered it, because the owner already knows what he has.
The lime-green over a praying mantis creates a particular effect. The body's green is organic, variable, with nuances that shift with the light. The jacket's green is flat, synthetic, electric. A contrast that works precisely because the portrait is exactly about that: the border between the natural and the chosen, between what Bruno is and what Bruno decides to be. Comparing the two greens is similar to comparing the sound of an empty room to a full one — the same base note, different reverb.
Underneath, a plain white cotton t-shirt with a round neck. No brand, no print, no story. The garment that doesn't compete with anything. Bruno needs that: a neutral background for everything else to work against.







