Six forty-five
There's something about Mansa's mornings that isn't up for negotiation. The order. Always the same bowl, always the same chair, always the rooibos before she's fully dressed. If Keitumetse changes something — serves the rooibos in a different glass, moves the chair, turns on the radio too early — Mansa doesn't protest, but she goes still for a moment, as if recalibrating. She's eight years old and has already figured out that if she controls the small things, the big ones are less frightening.
The sorghum connection goes back a long way. Grandmother Koko — Shona by origin, from Serowe, four hundred kilometers southeast — taught Keitumetse the sorghum bread technique: dough kneaded for twenty minutes, cast-iron pot preheated, low heat. On Saturdays, Keitumetse still makes that bread. Mansa counts quietly to two hundred while her mother kneads. It doesn't always turn out right. It doesn't matter. What matters is the smell, the sound of the dough against the wooden table, and the certainty that this Saturday looks like all the other Saturdays. Koko is gone, but the cast-iron pot is still there, and the recipe is still there, and sorghum flour still costs the same at the Maun market.
Saturday bread is one thing. Everyday bogobe is another. But both come from the same grain and the same woman. Mansa doesn't think of it in those terms — she's eight years old — but every morning, when the spoon reaches the bottom of the bowl, something clicks into place.







