Yara.

The garment is a medium-high weight unisex sweatshirt, 50% cotton and 50% polyester, crew neck, ribbed cuffs and waistband, and a fleece-lined interior that retains warmth without bunching under the arms. The outer feel is smooth, without excessive pilling, and the cut falls straight from the shoulders to the hip. Sizes run from S to 3XL in a single form that works for different bodies without trying to make them identical. Going up one size gives a more oversized fit with dropped shoulders; choosing your usual size gives a structured garment that holds its shape all day.

The print is applied to the front across the entire body of the sweatshirt, respecting the original portrait's colors: the cream of the bomber, the white of the sweater, the matte golds of the jewelry. The illustration isn't cropped by the seams and holds detail in the small elements — the dent in the right ring, the grain of the ribbed knit, the gold of the bomber's zipper. Full composition and feel details are in the **Fabric, fit, and construction** tab; if you're between two sizes, the **Size guide** has the garment's measurements in centimeters so you can compare with a sweatshirt you already own.

What you wear for ten hours straight in a room with air conditioning set to nineteen degrees isn't decided by fashion. It's decided by temperature, posture, and the weight of the fabric. Yara works seated in the main armchair at Estúdio Igapó with the computer in front, headphones within reach, and the blind down even at noon. Two in the afternoon until one in the morning. The body wants a fabric that holds warmth when the forearms are resting on the table and doesn't bunch when you reach to lift a fader or turn a compressor knob.

This sweatshirt meets both requirements without asking anything of the person wearing it. The 320-gram weight is enough to keep the cold air from the unit from getting through the sleeve, and the fleece lining holds temperature in the arms and torso without climbing to the throat or cutting in the armpits. The long sleeves with ribbed cuffs stay put when the hands go to the console. The ribbed waistband closes at the bottom without squeezing. A coat in a garment. Not literally a coat, but close.

Outside the studio, the sweatshirt holds up for a late night on a terrace with a river breeze, a bus ride with artificial cold air, an evening of reading at home with the fan off. It works for sitting still for hours without getting cold and without noticing you're wearing it; less so for sweating while running or for thin mid-season layers.