§ 01 Product. Mansa · Backpack · 70,00 USD
AK · 11 · Mansa 01 / 04 Mansa · mansa_ak-backpack-001
AK · Nº 11 / 19 Mansa · Maun, Botsuana

Mansa.

Backpack

This backpack of Mansa has the portrait of an eight-year-old African bush elephant printed on it — a girl who lives in Maun, Botswana, and has a habit her mother no longer questions: before leaving for school, she opens the bedside drawer, takes out the gray stone — the one with white veins, the one she picked up from the dry bed of the Lotsane river with her grandmother Koko — and puts it in her uniform pocket. Not every day. Only the ones that weigh on her: exams, rainy days, mornings when Keitumetse left early for the cooperative and the house is too quiet.

The stone weighs almost nothing. It fits in a closed hand. But for Mansa it's the one thing that doesn't move, that doesn't disappear, that's still there when she reaches into her pocket in the middle of a math class. She doesn't show it. She doesn't take it out on the desk. Her friend Bontle knows it's there because she once saw her put it away after recess, but didn't ask. That's how Bontle works: she talks for both of them when it's needed and goes quiet when it isn't.

Printing
All-over, vibrant and washableAOP DTG · sublimation
Production
Cut and sewn in 3–7 daysOn demand · no stock
Shipping
Worldwide with trackingUSA / Latvia
Warranty
Defective? We reprint itAt no extra cost
70,00 USD Tax included · white-label
01
§ 02 The real species. Loxodonta africana · African bush elephant
African bush elephant en su hábitat · Loxodonta africana
The real species

African bush elephant.

Loxodonta africana

The stones remember paths you forget to learn.

Savannas, scrubland and open woodland of sub-Saharan Africa, from the Serengeti and Kenya to the Okavango Delta (Botswana), which holds the world's largest concentration of the species. It adapts to very different ecosystems: the arid grasslands of the Kalahari, riverbanks, the edges of gallery forest.

§ 03 The story behind the portrait. 3 min · 02 chapters
I
CAP · 01 / 02

Inside pocket

There's something about backpacks that says a lot about who carries them. Mansa's real one — the one she lugs to the Boseja public primary school every morning at seven ten — always holds the same things: a notebook with folded corners, a fabric pencil case Keitumetse made from cooperative scraps, an extra sorghum bread sandwich wrapped in paper (because Mansa needs to know the food is there, always, even if she isn't hungry), a handful of peanuts, and sometimes a book on African wildlife borrowed from Mma Kgosidintsi, the science teacher. She returns the book read within three days. The sandwich she sometimes silently splits with whoever didn't bring lunch.

And then there's the inside pocket. The one you can't see. The one with a zipper. That's where the gray stone goes on hard days. Mansa wraps it in a piece of fabric — the same way she keeps Koko's glasses in the bedside drawer, wrapped in a handkerchief that smells of nothing but which she'd recognize among a hundred. The glasses don't leave the house. They're an old lady's prescription, useless for a child, but she keeps them the way you keep things that belonged to someone who's no longer here: without touching them too much, without ever forgetting them.

Koko died when Mansa was six years old. A Wednesday in July, at a hospital in Serowe, from pneumonia that started as a cough. Mansa didn't travel to the funeral. She stayed three days at Mma Tsheko's, the neighbor's house. She didn't cry in front of anyone. What she did was move the stones from the living-room shelf to her bedroom windowsill, where they've been ever since — gray, red, black, always in that order. And she started putting the gray one in her uniform pocket when the day was going to be long.

II
CAP · 02 / 02

A stone there and back

The backpack you're buying here isn't Mansa's school backpack — it's a backpack with her portrait printed across the whole surface. Full-coverage print, stitching included. What you see in the image is what arrives: the pink sweater with embroidered daisies, the direct gaze, the big ears of a young African elephant still growing.

It's a backpack for everyday use. For school, for class, for a day trip, a weekend away, or just for carrying what needs carrying without loose bags. Works with books, with folders, with a water bottle and whatever fits in the inside pocket — what counts as important is up to each person.

Made to order: there's no standing stock, every piece is produced when it's ordered. That means delivery takes a bit longer than a regular store, but also that no extra units are made.

§ 04 Technical specs. Category · pod
Material & composition
100% poliéster · 305 g/m² (9 oz/yd²)Material weight: 305 g/m²
Production
Print provider: PrintfulProduction method: sublimationProduction time: 2–7 busin
Care & maintenance
Limpiar superficialmente con paño húmedo. No lavadora. Secar al aire.
Shipping & timing
Shipping category: backpack
§ 06 More of Mansa. 08 objects · same author
§ 07 What people ask. 08 · about POD
  • Each product is made to order when you place your purchase. There is no pre-made stock or overproduction. A specialised production partner prints, cuts, and prepares it specifically for you.
  • Production normally takes 2-5 business days. Shipping adds 3 to 20 days depending on destination. Most orders arrive within 1-3 weeks total. Exact times depend on the production facility and your location.
  • Contact us at mail@yagopartal.com with your order number and clear photos of the damage (include packaging). We will review your case and offer a solution as soon as possible, either replacement or refund.
  • The backpack has a 20-litre capacity (41 x 31 x 14 cm), an interior compartment for 15-inch laptops, a secret rear zippered pocket, and is water-resistant. It supports up to 20 kg.
  • AI is a tool within the creative process, not the process itself. Yago directs each portrait: researching the species, designing the character, and manually selecting and editing the result. The artistic decision is always human.
  • Each portrait combines photography, illustration, and artificial intelligence under Yago's artistic direction. The process includes species research, character design, AI-assisted generation, and detailed manual editing.
  • No. No animals participate in or are harmed during the process. The portraits are created combining photography, illustration, and artificial intelligence. They are fictional characters representing real species with respect and dignity.
  • Open editions (main shop) are on-demand products with no copy limit. Limited editions (the Editions section of the shop) have controlled numbering and premium finishes with gallery-grade materials.